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Chinese film “Niu Lai” turns viral flop into box-office hit_我的网站

A |     (ECNS) -- The animated film Niu Lai has become an unlikely sensation after its daily box office of just 7,352 yuan ($1,020) sparked a trending hashtag and drew audiences curious to see “how bad it could be.”    By Wednesday afternoon, the film had grossed 25.72 million yuan, with the ma jor Chinesefilm data and box-office tracking platform Lighthouse raising its projection to more than 89.34 million yuan.        Created over five years by director Xin Yumeng and her mother Sun Lifang without professional training or outside support, the 86-minute film features crude animation and stiff movements that became its biggest draw. Clips shared online fueled viral exposure, sending Maoyan’s “want to see” count from 300 to 57,000 in a single day.    The title Niu Lai — a pun on “bull market coming” — resonated with investors amid stock market volatility. A scene of a calf tripping and smiling oddly was turned into a meme linked to “semiconductors,” making the character a mascot for traders. Some investors even coordinated seat purchases to spell out the Chinese character for “bull” in cinemas.    The film’s popularity illustrates how audiences are increasingly buying into an online cultural phenomenon rather than simply a movie. Niu Lai is also reportedly preparing for overseas release, with Singapore expected to be its first international market.    (By Gong Weiwei)                        。

B |     上世纪90年代，北京一位名叫王德明的老大爷，因家道中落，无可奈何之下便拿出祖上传下来的书画，想要将它们变卖以补贴家用。这其中，有一件宋代书画作品他格外喜欢，那就是王诜《山水十咏图》，担心万一流入市场会遭到损坏。于是他便拿着这件宝贝来到文物部门，希望以低价将此作转让给公家。

C | 但令他没想到的是，文物部门的几位专家经过仔细鉴定，并借助科技手段，得出结论：这是一件赝品，绘画风格上流露出明清气息，而上面的书法也与王诜其他真迹有些不同，虽然画上有乾隆的题跋和历代鉴藏印，但并不能推翻这是伪作的判断。这让王老先生备受打击，他深知这幅画递藏有序，曾先后归贾似道、周天球、清代内府所有，自己的祖父将它购得。于是，他拿着这幅画又来到了瀚海拍卖行。鉴定专家邵承宇一番仔细考察后，认为这是一幅典型的北宋院体画，又借助红外线扫描，发现了画作背面一些模糊的题记，这些笔迹与南宋时期的书法特征高度吻合。最终，邵承宇得出了与文物部门截然相反的结论：这是王诜真迹。

D | 1995年瀚海拍卖行举办“明清书画专场”，这幅《山水十咏图》以1980万元天价成交，这在当时绝对是天文数字了，但是，令人意想不到的是，这件文物最终的买家竟是国家博物馆。这件事告诉了我们文物鉴定的复杂性，也让世人知道了一位北宋大书法家、画家王诜。王诜，字晋卿，北宋庆历八年（1048年）生于太原，他娶英宗之女蜀国大长公主，是为驸马。王诜平日喜爱诗词书画，与苏轼等人颇有交情。他传世作品不多但件件都是“国宝”，禁止出境展览。他的字取法于蔡襄、杨凝式以及晋唐诸家影响，五体皆能，尤善行、草。其字笔画刚健挺拔、瘦劲峭利，尖锋入纸，衄挫、调锋动作丰富，行笔中锋立骨、侧锋取妍，提按有致、顿挫分明。

E | 结字中宫紧实、四面开张，险绝奇宕，动势十足，受“尚意书风”影响但又不失严谨。欹侧多变，开合自然，与画相得益彰，秀润之中见苍然。用墨枯润得宜，变化自然，章法错落有致。王诜的绘画则取法于李成、范宽，极善小景山水，赋色清丽，诗意盎然。王诜书法可与“宋四家”相较高低，绘画也能在高手云集的两宋占据一席之地，可惜传世作品太少，所以大众不知其人。不过这件阴差阳错的鉴定事件，却在当时颇受热议。

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